Gavin Adcock said Cowboy Carter in Beyonce: ‘No Country’


Singer in the country Gavin Adcock not a fan of BEYONCEs Cowboy Carter.

Adcock, 26, have selected words about the album winning the grorymy during a new live show, decorate that Beoncé is in front of his own chart record of Applied Antic Antic Chart.

“One of them Beyoncé … can you tell him we’ll come for his f *** in the ass,” he said, with the chart, every footage IMPARTED through social media on Monday, June 30.

He continued: “That’s a music in the country, it’s never a music country and it’s not a country music.”

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Adcock doubles a video IMPARTED by x on Monday, saying, “Ima keep and clear it. When I was a little boy, I heard a ton of sunshine on the sun.”

“But I never believed his album should be called as music in the country,” the singer continued. “It does not prevent the country, it does not feel that country, and I do not think that people who have dedicated their entire life in this genre and look at him as he is being Beoncé.”

The Singer of the Country Gavin Adcocks sees Beyonce's 'Cowboy Carter' 'Cowboy Carter'
Brooke Sutton / Getty Images

While Adcock is not a fan, Cowboy Carter is the main US Albo 200 charts of albums and become the first album of a black woman on top of Albo Albums charts albums.

Beyoncé, 43, also admired for items of black country artists such as Shoboozey,, Tanner Adell,, Brittney Spencer,, Kennedy Tiea and Reyna Roberts to album, as well as honoring black pioneers in country music, including Linda Martell.

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Houston-born singer used to open about his own roots in the country, which influenced his music.

“I grew up going to Houston Rodeo every year. It was the odd different kind and something for family members, and fried Purkish legs,” he told The Bazaar of Harper by 2021.

At the time, Beyoncé also reflects how the contributions to black people in the culture of the Last and Rodeo are often unforgettable.

During his research for his Ivy Park Rodeo-inspired line of clothing, he said, “One of my inspirations came from the unanimous history of American Black Cowboy.”

In addition to singers, “many of them are called Cophands, who have experienced many discrimination and have been forcing the horses and forced black rodes. In many rodos shows people with races. At the time, these coarse rodes displayed our place in western and cultural history. “



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