Adam Lippes traveled to Japan last December, visited Tokyo and Kyoto and stayed in Ryokan, Shuzenji. Like many, he returned to the carnival about “constantly looking for a culture of perfect forms in higher forms.” The trip has been informing him of his recent collection; the trip across Sicily is the starting point for his former outing, which for the resort is Japanese.
Geometric inlay printing of shirt pointing to naval shadow, chocolate brown, gold, plums and persimmon Lyrics Suitea series of 600 paintings. Motherwell used Rick paper instead of traditional canvas, which made the painting “exquisite, translucent”. Japan’s influence on this series is indeed subtle. If you look for them in the relaxed shape of balloon pants, there are references, for example, this is a tribute to the construction worker’s uniform, or the loose-fitting sleeves of shirts that are cut along the lines of the summer Yukata. There is also a floral print inspired by the Meiji era lacquer box.
But whether it’s a lacquered wool groove in the depths of Burgundy or a plush moher in a loose jacket, you don’t have to be Japanese to enjoy these clothes. He wore a piece of clothing that was luxurious double-sided merino knot targeting his “sweat” and you will never go back to the standard question cotton again. “It’s really sporty. Not very dressed,” he said. “We’re moving from some kind of dressing stage to separation – it feels good. Designing and making a sheath skirt is an easy thing, but she wants more interesting shapes.”
That night was as long as one day. The silk and lurex strip skirts and slim line skirts are almost weightless, while the simple and striking V-neck gowns cut the body with a single seam using Japanese pattern making techniques. He pulled out the tank dress from wrinkled fabric made of silk and metal. He smiled and said, “It’s a little unhappy for me, don’t be oppressed.” His search for a perfect form of higher forms yielded unexpected, fascinating results.
