Stephanie Danan has a clear CO Resort Collection directive. “She is not an apology woman,” she said. “It doesn’t make sense. She’s shit together.” This attitude is obvious in your clothes, sometimes “a little off.” A pencil skirt with contrasting white pleated fabric; sweater for sweaters, bent waist shoulders, scratched, cracked and worn leather.
Tailors are the strongest point of view in the series. The wool hybrid’s double-breasted suit, with strong shoulders, curved waist and severe waist, contrasts sharply with the model’s crisscrossing tapered heel sandals and in a way that makes the outline real, while the eggplant’s double-breasted jacket puts unexpected rib knitting machine details on the matched double jacket. But even if the dress is a pure version of itself, this look has aroused a laissez-faire vision: see a monochrome grey single-breast suit, wearing a button-up shirt, unmatched, and wearing a matching dress. It’s tough, but it’s also… pajamas. dev
The Duchess’s satin works, such as bomber jackets, style jackets and matching skirts, are also subversive. From such a feminine fabric, Dannan managed to extract an invisible energy. “As I get older, not only do I think about the clothes I wear, but my identity as a woman, it seems to be becoming more and more obvious is a kind of self-confidence that doesn’t require any verification,” she said. “There is an idea that when a woman doesn’t need verification, she’s a little scared, and there’s a lot of power in it.”
