In the intimate display of the STEL series in Astrid Andersen, everything is perfectly harmonious. In the Big HQ of the architect Bjarke Ingels, all warm wood and windows are looking at water. Through settings, sound and style of sound and style created a collective flow time.
The idea behind Stel is to create “eternal” works in the collection. They are related to each other, forming a continuous development wardrobe, which is almost a modular idea. After holding a speech for the spring, the designer wanted to change the direction, but it was clear that she didn’t want the traditional back and forth. She pointed out that, first of all, “I don’t sell runway dreams in the aesthetics of the brand”, but in addition, she wants to cultivate a feeling of interaction in the “mini community you are inspired by people.” Essence “Contact, this is what the world needs now, shared moments, not marketing -led brands.
Norwegian-Philippine artist Hillari performed Ahwangmill and hypnotized the audience. Anderson also did a lot of things in her Xi. Stel is more common than the dual curve and has his own poetry. Black suit jackets are cut into longer backs, not actual dovetails, but along these lines. Anderson’s iconic Pinnie Silhouette incorporates a shirt -style shirt and shirt on the pants. The gray gray sweater is separated to shock.
Asymmetric is another Stel standby. They wear long T -shirts and wrapped sweaters. One of them is the color of the persimmon, which is surprising with the color next to the avocado green. Wash the denim cloth. At the end of the show, these models appear on the appearance and carry each fragmented and styling card on the hanger. This emphasizes the “clothing driver” method of Anderson. This is like a demonstration of differences between houses and houses. STEL’s idea is not to create “temporary excitement”, but daily clothing. Fashion can use more humans and unity methods Andersen to bring fashion.
