The first Trump, which State met in the lessons and hours of television interviews and documents he consumed in preparation for the role, was really different from the man who had dominated our national life in the last decade. “There’s a dreamer,” he said. “There is some idealism about America and New York and what it could be.”
When the 70s are changing to 80 years, Trump’s film becomes much less sympathetic. After throwing away the need for the united figure of his father, he betrays Cohn, a homosexual man who dies of AIDS. He shows his wife Ivan (who describes in detail the attack of Trump under the oath, but later explained, “I do not want my words to be interpreted in a literal or criminal sense”).
“What I have always seen on his way, and certainly what we examined in the film,” added the tent, “was the strengthening of man into stone, loss of humanity.”
When the tent received an offer to play Trump three years ago, he braided for Bucky Barnes with the role of Jeff Gillool, former husband Tonya Harding, who depicted the violent attack on Nancy Kerrigan, “I, Tonya” and Tommy Lee of Mötley Crüe and sexual fame Tape, in the Hulu Limited “Pam & Tommy” series, real people who dominated the tabloids at the age of 90 (and probably shared with Trump with Trump).
“The miracles of all this,” said Stan, contributed to his willingness to take over the risky roles. Bucky Barnes “allowed me, one, had the opportunity to survive,” he explained. “But returning to this character over time and doing this character to do some things to seek its core the opposite.”
Nevertheless, he said he had seriously taken several people who asked for the advice – the Executive Director of the Studio, the Casting Director – who advised him to tell him not to play Trump. In the end, however, he accepted this part and lard on artistic growth.
